Tom McEnaney

Job title: 
Associate Professor; Director, Berkeley Center for New Media
Department: 
Comparative Literature
Spanish and Portuguese
Bio/CV: 

McEnaney works on the history of media and technology, Argentine, Cuban and U.S. literature, sound studies, linguistic anthropology, computational (digital) humanities and new media studies. He is the current director of the Berkeley Center for New Media(link is external). He also holds a joint appointment in the Department of Spanish & Portuguese and serves on the Executive Board of UC Cuba(link is external). Additionally, he is part of the leadership group of the Center for Cultural Analytics(link is external) and is affiliated with the Program in Critical Theory, the Center for Science, Technology, Medicine and Society(link is external) and the Data Science Lab (D-Lab)(link is external).

McEnaney's work has appeared in diacritics(link is external)La Habana Elegante(link is external)The Journal of Musicology(link is external)PMLA(link is external)Public Books(link is external)Representations(link is external)Revista de Estudios Hispánicos(link is external)Sounding Out!(link is external) and other venues. His book, Acoustic Properties: Radio, Narrative, and the New Neighborhood of the Americas(link is external) (FlashPoints at Northwestern University Press, 2017), which was shortlisted for the 2018 Modernist Studies Association's First Book Prize(link is external), investigates the co-evolution of radio and the novel in Argentina, Cuba and the United States. The book charts the rise and fall of populism and state socialism, and how authors in these countries began to re-conceive novel writing as an act of listening in order to shape the creation and understanding of the vox populi.

His research on voice, sound and identity has appeared in The New York Times(link is external)KQED's Forum Program(link is external)Oakland Magazine(link is external) and elsewhere.

From 2020-23, Professor McEnaney was a Mellon New Directions Fellow(link is external) with an emphasis in cultural analytics. He is also at work on a book about textual and musical experiments with tape technology in the late 1960s and their consequences for testimonial writing, rock nacional, electronic music, and audiobooks in the Americas. Before returning to Berkeley, he was an assistant professor in the Department of Comparative Literature at Cornell University. While at Cornell, Professor McEnaney also founded the Latin American Journals Project(link is external), an online archive and hub of digitized literary journals and newspapers from throughout Latin America and the Hispanophone Caribbean. The aim of this project is to increase access to and work with these extraordinary journals for people across the world. 

Role: