Speakers include Crystal Bartolovich, Rossen Djagalov, Petrus Liu, Ericka Beckman, Nikhil Singh, Leigh Claire La Berge, Iyko Day, Annie McClanahan, Amy De’Ath, Juliana Spahr, Jasper Bernes, Mark Steven, Michael Shane Boyle, Sarah Brouillette, and Joshua Clover.
How is the present-day return to Marx a different one from that of global 1968? A renewed interest in political economy is leading cultural critics and social theorists to ask fundamental questions about how capital reproduces itself both through and beyond the wage relation: how it makes and unmakes classes across modes of production, creates surplus and disposable populations that are racialized and gendered, and requires both unexploited and waste spaces, in its quest to produce value.
For humanities scholars, this attention to value-production opens the possibility of thinking beyond some of the main strands of twentieth century Marxist criticism, especially debates about modernity, ideology, and form. In the heyday of “the cultural turn,” Marxist debates tended to center on modernity rather than capitalism as a temporal and spatial concept. Meanwhile, transformations in the idea of ideology were transferred to the analysis of culture largely by way of Marx’s concept of base and superstructure: that is, an idea of capitalism as driven by an economic “base” that shaped, more or less directly, a range of cultural and ideological practices. And, of course, the quest for a formalism adequate to historical change lay at the center of earlier intra-Marxist debates about art and literature, such as the one between Bertolt Brecht and Georg Lukács in the 1930s. Each of these strands of Marxist thinking, though, left us with a legacy of antinomies between class and identity, culture and economy, and form and history. In three panels across the course of the day, fifteen scholars will gather to discuss the opportunities for a Marxist cultural criticism and aesthetic theory that moves past these oppositions.
Colleen Lye & Christopher Nealon
10 am-12 pm
Crystal Bartolovich / “Capitalocene and Transition”
Rossen Djagalov / “Post-Soviet Aesthetics”
Petrus Liu / “The Chinese Revolutions and East Asian Marxism”
Ericka Beckman / “Latin American Literature and Dependency Theory Today”
Nikhil Singh / “Black Marxism, Racial Capitalism and the Subject of Class Politics”
Claire Grossman, Chair
12-1 pm Lunch Break
Leigh Claire La Berge/ “There is No More Commodification: Concepts and Narratives of Economic History”
Iyko Day / “Ecocriticism and Primitive Accumulation in Indigenous Studies”
Amy De’Ath / “Reading Social Reproduction: Value Theory and the Hidden Abode”
Annie McClanahan / “Industry Culture: Technology and Labor in Marxist Cultural Theory”
Juliana Spahr / “What is Committed Literature Now?”
Angus Reid, Chair
Jasper Bernes / “Poetry and Revolution”
Mark Steven / “Screening Insurrection”
Michael Shane Boyle / “Marxism and Post-Dramatic Theater”
Sarah Brouillette / “Political Economy of the Postwar Novel”
Joshua Clover / “Marx After Literature”
Jane Hu, Chair
Co-sponsored by The Interdisciplinary Marxism Working Group, The Department of English, The Program in Critical Theory, The Arts & Humanities Division of the College of Letters & Science, and The Townsend Center.